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Guqin (古琴, 고금) | |||
= Terms = | |||
; jianzipu (減字譜, 감자보) | |||
: Guqin notation form | |||
= Innovations = | |||
* [https://guqin.nyl.io/library.html?ref=blog.nyl.io NYL's Guqin library] | |||
* [https://blog.nyl.io/guqin-part-3-tablature-old-and-new/ Use of NLTabs] | |||
= Songs = | |||
* [https://youtu.be/BXK-W6yyn7Q?si=zlczpKgf-r_WYWal List of easy to hard by Zachary Lee] | |||
# 沧海一声笑 | |||
# 秋风辞 | |||
# 凤求凰 | |||
# 酒狂 | |||
# 关山月 | |||
# 鸥鹭忘机 | |||
# 忆故人 | |||
# 流水 | |||
# 梅花三弄 | |||
# 潇湘水云 | |||
= Well-known Players = | |||
* Tsar Teh-yun (蔡德允 채덕윤, 1905-2007) @ HK<br/>Disciple of Shen Caonong | |||
** Lau Chor-wah (劉楚華 유초화, 1951-) @ HK | |||
** Sou Si-tai | |||
** Tsu Chun-yan | |||
= Available Videos = | |||
{| class="wikitable sortable" border="1" style="border-collapse:collapse" | {| class="wikitable sortable" border="1" style="border-collapse:collapse" | ||
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|} | |} | ||
= Videos = | |||
* [https://youtu.be/EwDVQMtaoso?si=Cm3GVczb0O47E7Vc Song of Secluded Orchid 幽蘭操 music fr. ballet “Confucius” by Zhang Qu arranged for qin by Shuishan Yu] | |||
* [https://youtu.be/D_MyGCM9fho?si=3tUwUW1E5PU6zHhS 『琴道』台北琴道舘。 "Qin Dao" Taipei Qin Hall.] | |||
* [https://youtu.be/taMETSe3rZE?si=7wrdBrpxM4qh8Du8 「古音重現」。唐琴「冰磬」與其複製琴「玄鍾」之比較。 Echoes Through Time. A Thousand-Year Legacy Guqin and Its Modern Replica.] | |||
* [https://youtu.be/h0AAFhx3RmA?si=75ybkH0Ay7Bsami7 Unsullied - the theme song of Ashes of Love] | |||
* [https://youtu.be/IV4rkOdELrs?si=Zrh4T3hNzVfIVUvZ Guang-Ling San / Guqin: KONG Ziwen] | |||
* 星河嘆 | |||
** [https://www.bilibili.com/video/BV1Lg4y1E7UF/ 【南一】《星河叹》纯古琴版 | 我叹人生苦短,荒唐事不休] | |||
* 出水蓮 | |||
** [https://youtu.be/tHJfJ6HbMxg?si=pHbaK3GraEFGYqIQ 古琴|【蓮】|Lotus Out The Water Guqin|Chinese Classical music|Hsiao Yi Ting Guqin Studio] | |||
* 神人暢 | |||
** [https://youtu.be/dYDGsWmW3kI?si=2c7xGuiCEgwnEvjl 丁承運先生古琴曲演奏《神人暢》The《 A Conversation Between God and Man》of Chinese Guqin Master Ding Chengyun] | |||
* 不染 | |||
** [https://youtu.be/h0AAFhx3RmA?si=Ev0QmgwoyBG1SEhN 《不染》---古琴獨奏述深情《香蜜沉沉燼如霜》主題曲] | |||
* 流水 | |||
** [https://youtu.be/MGteDdXLYuw?si=ff8o_iff6Y0o6A7c Flowing Water-CHEN Leiji & China NCPA Orchestra] | |||
** [https://youtu.be/-IJ7h0HknDg?si=xe2MhRWrZhm4hjLj Guqin solo "Flowing Water" performed by Li Fengyun 古琴独奏《流水》- 李凤云] | |||
** [https://youtu.be/BcElotwrZ8o?si=hBxqp6y0H_9FlgRd Chinese Guqin : Flowing water Guqin 流水 古琴曲 by 楚童古琴] | |||
** [https://youtu.be/0nuvbtl0jP4?si=MHlaBvKbqSg4vxAO 【古琴Guqin】《流水》Flowing Water by Zi De guqin Studio] | |||
** [https://youtu.be/caXl_GpRhIM?si=e25X33jyJ3rl592N 【Guqin】A famous traditional Chinese song which is even known from outer space “Flowing Water” by Zi De guqin Studio] | |||
** [https://youtu.be/s1pCTYSCsas?si=QZEkarGKI2SgY4f1 流水|古琴:孔子文] | |||
* Performances | |||
** [https://youtu.be/35ZKN-H7at4?si=4Y_NGY52sx6l7cZM Guqin Master Chen Leiji] | |||
* 忆故人 | |||
** [https://youtu.be/6Bbw7SmUgA8?si=0YzH5tS4UEb2XaEJ Memories of an Old Friend] | |||
** [https://youtu.be/9YZMjSRHj1s?si=1_X1zspAk-2WJfjP 古琴 《忆故人》 Guqin Traditional Music- Memories of an old friend] | |||
** [https://youtu.be/0KQoE7I3D4A?si=8KPMnXhSFp6mOAjD 忆故人 Reminiscing about an Old Friend - 林友仁 Lin Youren | Scrolling Qin Score] | |||
** [https://youtu.be/9L1-KUtm8CE?si=eLMJ74NQZ6Q-fpB- Memories of Old Friends by world leading guqin master Li Xiangting, Yi Guren忆故人,李祥霆大师古琴] | |||
* Played in Korea by Chae Hui-bae (채희배) | |||
** https://youtu.be/hEO6QIEzHnA?si=5YT5rowVQbYVZZim | |||
** https://youtu.be/9ldxv50Yax8?si=txfOsO8yB2cWhrUG | |||
* Educational | |||
** [https://youtu.be/vgjnrePFThY 古琴 真朴书院琴学入门篇第15课——仙翁操上高清版 超清] | |||
** [https://youtu.be/Qi_gtHs6h7M?si=jglbNI6tVWutnRRq 古琴 真朴书院琴学入门篇第16课——仙翁操下高清版 超清] | |||
** https://youtu.be/QPYLXO5J_6c?si=JE4ShggzQpHmqCml | |||
** [https://youtu.be/Oiyxf50K_8M?si=_4aNxwrSV6NcXD4N 【古琴教学】《流水》第一段,中央音乐学院高级古琴师资考试示范教学] | |||
** [https://youtu.be/sbLO6uBMwwc?si=plJWfcg23xWiynOl Visualizing Sound: A Lecture and Demonstration on the Notation System and Music of the Chinese Qin] | |||
= Chongxiu Zhenchuan Qinpu (重修真傳琴譜, 중수진전금보) = | = Chongxiu Zhenchuan Qinpu (重修真傳琴譜, 중수진전금보) = | ||
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http://www.silkqin.com/08anal/tuning.htm#harmpitch | http://www.silkqin.com/08anal/tuning.htm#harmpitch | ||
= Comparison of frequencies = | = Comparison of frequencies = | ||
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! rowspan="2" width="20px" |{{mvar|n}} | ! rowspan="2" width="20px" |{{mvar|n}} | ||
! rowspan="2" width="138px" |Frequency {{mvar|f}}({{mvar|n}}) ([[Hertz|Hz]]) (Equal temperament) <ref>{{Cite web|url=https://pages.mtu.edu/~suits/notefreqs.html|title=Frequencies of Musical Notes, A4 = 440 Hz|last=Suits|first=Bryan|year=1998|website=Physics of Music — Notes|publisher=[[Michigan Tech University]]|url-status=live|archive-url=https://web.archive.org/web/20191216163453/https://pages.mtu.edu/~suits/notefreqs.html|archive-date=2019-12-16|access-date=2019-12-26}}</ref> | ! rowspan="2" width="138px" |Frequency {{mvar|f}}({{mvar|n}}) ([[Hertz|Hz]]) (Equal temperament) <ref>{{Cite web|url=https://pages.mtu.edu/~suits/notefreqs.html|title=Frequencies of Musical Notes, A4 = 440 Hz|last=Suits|first=Bryan|year=1998|website=Physics of Music — Notes|publisher=[[Michigan Tech University]]|url-status=live|archive-url=https://web.archive.org/web/20191216163453/https://pages.mtu.edu/~suits/notefreqs.html|archive-date=2019-12-16|access-date=2019-12-26}}</ref> | ||
! colspan=" | ! colspan="7" | Corresponding open strings on other instruments | ||
|-- | |-- | ||
!width="5%" | [[Guqin#Tuning|Guqin (A4 = 405 Hz)]] | |||
!width="5%" | [[Violin#Tuning|Violin]] | !width="5%" | [[Violin#Tuning|Violin]] | ||
!width="6%" | [[Viola#Tuning|Viola]] | !width="6%" | [[Viola#Tuning|Viola]] | ||
Line 99: | Line 178: | ||
|bgcolor="darkslategray" style="color:white"|107 | |bgcolor="darkslategray" style="color:white"|107 | ||
| bgcolor="lightgray" | 118 | | bgcolor="lightgray" | 118 | ||
| bgcolor="lightgray" | a | | bgcolor="lightgray" | a♯′′′′′/b♭′′′′′ | ||
| bgcolor="lightgray" | A | | bgcolor="lightgray" | A♯<sub>8</sub>/B♭<sub>8</sub> | ||
| bgcolor="lightgray" | 98 | | bgcolor="lightgray" | 98 | ||
| bgcolor="lightgray" | 7458.620 | | bgcolor="lightgray" | 7458.620 | ||
Line 125: | Line 204: | ||
|bgcolor="darkslategray" style="color:white"|105 | |bgcolor="darkslategray" style="color:white"|105 | ||
| bgcolor="lightgray" | 116 | | bgcolor="lightgray" | 116 | ||
| bgcolor="lightgray" | g | | bgcolor="lightgray" | g♯′′′′′/a♭′′′′′ | ||
| bgcolor="lightgray" | G | | bgcolor="lightgray" | G♯<sub>8</sub>/A♭<sub>8</sub> | ||
| bgcolor="lightgray" | 96 | | bgcolor="lightgray" | 96 | ||
| bgcolor="lightgray" |6644.875 | | bgcolor="lightgray" |6644.875 | ||
Line 151: | Line 230: | ||
|bgcolor="darkslategray" style="color:white"|103 | |bgcolor="darkslategray" style="color:white"|103 | ||
| bgcolor="lightgray" | 114 | | bgcolor="lightgray" | 114 | ||
| bgcolor="lightgray" | f | | bgcolor="lightgray" | f♯′′′′′/g♭′′′′′ | ||
| bgcolor="lightgray" | F | | bgcolor="lightgray" | F♯<sub>8</sub>/G♭<sub>8</sub> | ||
| bgcolor="lightgray" | 94 | | bgcolor="lightgray" | 94 | ||
| bgcolor="lightgray" | 5919.911 | | bgcolor="lightgray" | 5919.911 | ||
Line 190: | Line 269: | ||
| bgcolor="darkslategray" style="color:white" | 100 | | bgcolor="darkslategray" style="color:white" | 100 | ||
| bgcolor="lightgray" | 111 | | bgcolor="lightgray" | 111 | ||
| bgcolor="lightgray" | d | | bgcolor="lightgray" | d♯′′′′′/e♭′′′′′ | ||
| bgcolor="lightgray" | D | | bgcolor="lightgray" | D♯<sub>8</sub>/E♭<sub>8</sub> | ||
| bgcolor="lightgray" | 91 | | bgcolor="lightgray" | 91 | ||
| bgcolor="lightgray" | 4978.032 | | bgcolor="lightgray" | 4978.032 | ||
Line 216: | Line 295: | ||
| bgcolor="darkslategray" style="color:white" | 98 | | bgcolor="darkslategray" style="color:white" | 98 | ||
| bgcolor="lightgray" | 109 | | bgcolor="lightgray" | 109 | ||
| bgcolor="lightgray" | c | | bgcolor="lightgray" | c♯′′′′′/d♭′′′′′ | ||
| bgcolor="lightgray" | C | | bgcolor="lightgray" | C♯<sub>8</sub>/D♭<sub>8</sub> | ||
| bgcolor="lightgray" | 89 | | bgcolor="lightgray" | 89 | ||
| bgcolor="lightgray" | 4434.922 | | bgcolor="lightgray" | 4434.922 | ||
Line 255: | Line 334: | ||
| bgcolor="black" style="color:white" | 86 | | bgcolor="black" style="color:white" | 86 | ||
|106 | |106 | ||
|a | |a♯′′′′/b♭′′′′ | ||
|A | |A♯<sub>7</sub>/B♭<sub>7</sub> | ||
|86 | |86 | ||
|3729.310 | |3729.310 | ||
Line 281: | Line 360: | ||
| bgcolor="black" style="color:white" | 84 | | bgcolor="black" style="color:white" | 84 | ||
|104 | |104 | ||
|g | |g♯′′′′/a♭′′′′ | ||
|G | |G♯<sub>7</sub>/A♭<sub>7</sub> | ||
|84 | |84 | ||
|3322.438 | |3322.438 | ||
Line 307: | Line 386: | ||
| bgcolor="black" style="color:white" | 82 | | bgcolor="black" style="color:white" | 82 | ||
|102 | |102 | ||
|f | |f♯′′′′/g♭′′′′ | ||
|F | |F♯<sub>7</sub>/G♭<sub>7</sub> | ||
|82 | |82 | ||
|2959.955 | |2959.955 | ||
Line 346: | Line 425: | ||
| bgcolor="black" style="color:white" | 79 | | bgcolor="black" style="color:white" | 79 | ||
|99 | |99 | ||
|d | |d♯′′′′/e♭′′′′ | ||
|D | |D♯<sub>7</sub>/E♭<sub>7</sub> | ||
|79 | |79 | ||
|2489.016 | |2489.016 | ||
Line 372: | Line 451: | ||
| bgcolor="black" style="color:white" | 77 | | bgcolor="black" style="color:white" | 77 | ||
|97 | |97 | ||
|c | |c♯′′′′/d♭′′′′ | ||
|C | |C♯<sub>7</sub>/D♭<sub>7</sub> | ||
|77 | |77 | ||
|2217.461 | |2217.461 | ||
Line 411: | Line 490: | ||
| bgcolor="black" style="color:white" | 74 | | bgcolor="black" style="color:white" | 74 | ||
|94 | |94 | ||
|a | |a♯′′′/b♭′′′ | ||
|A | |A♯<sub>6</sub>/B♭<sub>6</sub> | ||
|74 | |74 | ||
|1864.655 | |1864.655 | ||
Line 437: | Line 516: | ||
| bgcolor="black" style="color:white" | 72 | | bgcolor="black" style="color:white" | 72 | ||
|92 | |92 | ||
|g | |g♯′′′/a♭′′′ | ||
|G | |G♯<sub>6</sub>/A♭<sub>6</sub> | ||
|72 | |72 | ||
|1661.219 | |1661.219 | ||
Line 463: | Line 542: | ||
| bgcolor="black" style="color:white" | 70 | | bgcolor="black" style="color:white" | 70 | ||
|90 | |90 | ||
|f | |f♯′′′/g♭′′′ | ||
|F | |F♯<sub>6</sub>/G♭<sub>6</sub> | ||
|70 | |70 | ||
|1479.978 | |1479.978 | ||
Line 502: | Line 581: | ||
| bgcolor="black" style="color:white" | 67 | | bgcolor="black" style="color:white" | 67 | ||
|87 | |87 | ||
|d | |d♯′′′/e♭′′′ | ||
|D | |D♯<sub>6</sub>/E♭<sub>6</sub> | ||
|67 | |67 | ||
|1244.508 | |1244.508 | ||
Line 528: | Line 607: | ||
| bgcolor="black" style="color:white" | 65 | | bgcolor="black" style="color:white" | 65 | ||
|85 | |85 | ||
|c | |c♯′′′/d♭′′′ | ||
|C | |C♯<sub>6</sub>/D♭<sub>6</sub> | ||
|65 | |65 | ||
|1108.731 | |1108.731 | ||
Line 567: | Line 646: | ||
| bgcolor="black" style="color:white" | 62 | | bgcolor="black" style="color:white" | 62 | ||
|82 | |82 | ||
|a | |a♯′′/b♭′′ | ||
|A | |A♯<sub>5</sub>/B♭<sub>5</sub> | ||
|62 | |62 | ||
|932.3275 | |932.3275 | ||
Line 593: | Line 672: | ||
| bgcolor="black" style="color:white" | 60 | | bgcolor="black" style="color:white" | 60 | ||
|80 | |80 | ||
|g | |g♯′′/a♭′′ | ||
|G | |G♯<sub>5</sub>/A♭<sub>5</sub> | ||
|60 | |60 | ||
|830.6094 | |830.6094 | ||
Line 619: | Line 698: | ||
| bgcolor="black" style="color:white" | 58 | | bgcolor="black" style="color:white" | 58 | ||
|78 | |78 | ||
|f | |f♯′′/g♭′′ | ||
|F | |F♯<sub>5</sub>/G♭<sub>5</sub> | ||
|58 | |58 | ||
|739.9888 | |739.9888 | ||
Line 658: | Line 737: | ||
| bgcolor="black" style="color:white" | 55 | | bgcolor="black" style="color:white" | 55 | ||
|75 | |75 | ||
|d | |d♯′′/e♭′′ | ||
|D | |D♯<sub>5</sub>/E♭<sub>5</sub> | ||
|55 | |55 | ||
|622.2540 | |622.2540 | ||
Line 684: | Line 763: | ||
| bgcolor="black" style="color:white" | 53 | | bgcolor="black" style="color:white" | 53 | ||
|73 | |73 | ||
|c | |c♯′′/d♭′′ | ||
|C | |C♯<sub>5</sub>/D♭<sub>5</sub> | ||
|53 | |53 | ||
|554.3653 | |554.3653 | ||
Line 723: | Line 802: | ||
| bgcolor="black" style="color:white" | 50 | | bgcolor="black" style="color:white" | 50 | ||
|70 | |70 | ||
|a | |a♯′/b♭′ | ||
|A | |A♯<sub>4</sub>/B♭<sub>4</sub> | ||
|50 | |50 | ||
|466.1638 | |466.1638 | ||
Line 749: | Line 828: | ||
| bgcolor="black" style="color:white" | 48 | | bgcolor="black" style="color:white" | 48 | ||
|68 | |68 | ||
|g | |g♯′/a♭′ | ||
|G | |G♯<sub>4</sub>/A♭<sub>4</sub> | ||
|48 | |48 | ||
|415.3047 | |415.3047 | ||
Line 775: | Line 854: | ||
| bgcolor="black" style="color:white" | 46 | | bgcolor="black" style="color:white" | 46 | ||
|66 | |66 | ||
|f | |f♯′/g♭′ | ||
|F | |F♯<sub>4</sub>/G♭<sub>4</sub> | ||
|46 | |46 | ||
|369.9944 | |369.9944 | ||
Line 814: | Line 893: | ||
| bgcolor="black" style="color:white" | 43 | | bgcolor="black" style="color:white" | 43 | ||
|63 | |63 | ||
|d | |d♯′/e♭′ | ||
|D | |D♯<sub>4</sub>/E♭<sub>4</sub> | ||
|43 | |43 | ||
|311.1270 | |311.1270 | ||
Line 840: | Line 919: | ||
| bgcolor="black" style="color:white" | 41 | | bgcolor="black" style="color:white" | 41 | ||
|61 | |61 | ||
|c | |c♯′/d♭′ | ||
|C | |C♯<sub>4</sub>/D♭<sub>4</sub> | ||
|41 | |41 | ||
|277.1826 | |277.1826 | ||
Line 879: | Line 958: | ||
| bgcolor="black" style="color:white" | 38 | | bgcolor="black" style="color:white" | 38 | ||
|58 | |58 | ||
|a | |a♯/b♭ | ||
|A | |A♯<sub>3</sub>/B♭<sub>3</sub> | ||
|38 | |38 | ||
|233.0819 | |233.0819 | ||
Line 905: | Line 984: | ||
| bgcolor="black" style="color:white" | 36 | | bgcolor="black" style="color:white" | 36 | ||
|56 | |56 | ||
|g | |g♯/a♭ | ||
|G | |G♯<sub>3</sub>/A♭<sub>3</sub> | ||
|36 | |36 | ||
|207.6523 | |207.6523 | ||
Line 931: | Line 1,010: | ||
| bgcolor="black" style="color:white" | 34 | | bgcolor="black" style="color:white" | 34 | ||
|54 | |54 | ||
|f | |f♯/g♭ | ||
|F | |F♯<sub>3</sub>/G♭<sub>3</sub> | ||
|34 | |34 | ||
|184.9972 | |184.9972 | ||
Line 970: | Line 1,049: | ||
| bgcolor="black" style="color:white" | 31 | | bgcolor="black" style="color:white" | 31 | ||
|51 | |51 | ||
|d | |d♯/e♭ | ||
|D | |D♯<sub>3</sub>/E♭<sub>3</sub> | ||
|31 | |31 | ||
|155.5635 | |155.5635 | ||
Line 996: | Line 1,075: | ||
| bgcolor="black" style="color:white" | 29 | | bgcolor="black" style="color:white" | 29 | ||
|49 | |49 | ||
|c | |c♯/d♭ | ||
|C | |C♯<sub>3</sub>/D♭<sub>3</sub> | ||
|29 | |29 | ||
|138.5913 | |138.5913 | ||
Line 1,035: | Line 1,114: | ||
| bgcolor="black" style="color:white" | 26 | | bgcolor="black" style="color:white" | 26 | ||
|46 | |46 | ||
|A | |A♯/B♭ | ||
|A | |A♯<sub>2</sub>/B♭<sub>2</sub> | ||
|26 | |26 | ||
|116.5409 | |116.5409 | ||
Line 1,061: | Line 1,140: | ||
| bgcolor="black" style="color:white" | 24 | | bgcolor="black" style="color:white" | 24 | ||
|44 | |44 | ||
|G | |G♯/A♭ | ||
|G | |G♯<sub>2</sub>/A♭<sub>2</sub> | ||
|24 | |24 | ||
|103.8262 | |103.8262 | ||
Line 1,087: | Line 1,166: | ||
| bgcolor="black" style="color:white" | 22 | | bgcolor="black" style="color:white" | 22 | ||
|42 | |42 | ||
|F | |F♯/G♭ | ||
|F | |F♯<sub>2</sub>/G♭<sub>2</sub> | ||
|22 | |22 | ||
|92.49861 | |92.49861 | ||
Line 1,126: | Line 1,205: | ||
| bgcolor="black" style="color:white" | 19 | | bgcolor="black" style="color:white" | 19 | ||
|39 | |39 | ||
|D | |D♯/E♭ | ||
|D | |D♯<sub>2</sub>/E♭<sub>2</sub> | ||
|19 | |19 | ||
|77.78175 | |77.78175 | ||
Line 1,152: | Line 1,231: | ||
| bgcolor="black" style="color:white" | 17 | | bgcolor="black" style="color:white" | 17 | ||
|37 | |37 | ||
|C | |C♯/D♭ | ||
|C | |C♯<sub>2</sub>/D♭<sub>2</sub> | ||
|17 | |17 | ||
|69.29566 | |69.29566 | ||
Line 1,191: | Line 1,270: | ||
| bgcolor="black" style="color:white" | 14 | | bgcolor="black" style="color:white" | 14 | ||
|34 | |34 | ||
|A | |A♯͵/B♭͵ | ||
|A | |A♯<sub>1</sub>/B♭<sub>1</sub> | ||
|14 | |14 | ||
|58.27047 | |58.27047 | ||
Line 1,217: | Line 1,296: | ||
| bgcolor="black" style="color:white" | 12 | | bgcolor="black" style="color:white" | 12 | ||
|32 | |32 | ||
|G | |G♯͵/A♭͵ | ||
|G | |G♯<sub>1</sub>/A♭<sub>1</sub> | ||
|12 | |12 | ||
|51.91309 | |51.91309 | ||
Line 1,243: | Line 1,322: | ||
| bgcolor="black" style="color:white" | 10 | | bgcolor="black" style="color:white" | 10 | ||
|30 | |30 | ||
|F | |F♯͵/G♭͵ | ||
|F | |F♯<sub>1</sub>/G♭<sub>1</sub> | ||
|10 | |10 | ||
|46.24930 | |46.24930 | ||
Line 1,251: | Line 1,330: | ||
| | | | ||
| | | | ||
|Low F | |Low F♯ (8 string) | ||
| | | | ||
|- | |- | ||
Line 1,282: | Line 1,361: | ||
| bgcolor="black" style="color:white" | 7 | | bgcolor="black" style="color:white" | 7 | ||
|27 | |27 | ||
|D | |D♯͵/E♭͵ | ||
|D | |D♯<sub>1</sub>/E♭<sub>1</sub> | ||
|7 | |7 | ||
|38.89087 | |38.89087 | ||
Line 1,308: | Line 1,387: | ||
| bgcolor="black" style="color:white" | 5 | | bgcolor="black" style="color:white" | 5 | ||
|25 | |25 | ||
|C | |C♯͵/D♭͵ | ||
|C | |C♯<sub>1</sub>/D♭<sub>1</sub> | ||
|5 | |5 | ||
|34.64783 | |34.64783 | ||
Line 1,347: | Line 1,426: | ||
| bgcolor="black" style="color:white" | 2 | | bgcolor="black" style="color:white" | 2 | ||
|22 | |22 | ||
|A | |A♯͵͵/B♭͵͵ | ||
|A | |A♯<sub>0</sub>/B♭<sub>0</sub> | ||
|2 | |2 | ||
|29.13524 | |29.13524 | ||
Line 1,373: | Line 1,452: | ||
| bgcolor="darkslategray" style="color:white" | 97 | | bgcolor="darkslategray" style="color:white" | 97 | ||
| bgcolor="lightgray" | 20 | | bgcolor="lightgray" | 20 | ||
| bgcolor="lightgray" | G | | bgcolor="lightgray" | G♯͵͵/A♭͵͵ | ||
| bgcolor="lightgray" | G | | bgcolor="lightgray" | G♯<sub>0</sub>/A♭<sub>0</sub> | ||
| bgcolor="lightgray" |0 | | bgcolor="lightgray" |0 | ||
| bgcolor="lightgray" | 25.95654 | | bgcolor="lightgray" | 25.95654 | ||
Line 1,399: | Line 1,478: | ||
| bgcolor="darkslategray" style="color:white" | 95 | | bgcolor="darkslategray" style="color:white" | 95 | ||
| bgcolor="lightgray" | 18 | | bgcolor="lightgray" | 18 | ||
| bgcolor="lightgray" | F | | bgcolor="lightgray" | F♯͵͵/G♭͵͵ | ||
| bgcolor="lightgray" | F | | bgcolor="lightgray" | F♯<sub>0</sub>/G♭<sub>0</sub> | ||
| bgcolor="lightgray" | -2 | | bgcolor="lightgray" | -2 | ||
| bgcolor="lightgray" | 23.12465 | | bgcolor="lightgray" | 23.12465 | ||
Line 1,438: | Line 1,517: | ||
| bgcolor="darkslategray" style="color:white" | 92 | | bgcolor="darkslategray" style="color:white" | 92 | ||
| bgcolor="lightgray" | 15 | | bgcolor="lightgray" | 15 | ||
| bgcolor="lightgray" | D | | bgcolor="lightgray" | D♯͵͵/E♭͵͵ | ||
| bgcolor="lightgray" | D | | bgcolor="lightgray" | D♯<sub>0</sub>/E♭<sub>0</sub> | ||
| bgcolor="lightgray" | -5 | | bgcolor="lightgray" | -5 | ||
| bgcolor="lightgray" | 19.44544 | | bgcolor="lightgray" | 19.44544 | ||
Line 1,464: | Line 1,543: | ||
| bgcolor="darkslategray" style="color:white" | 90 | | bgcolor="darkslategray" style="color:white" | 90 | ||
| bgcolor="lightgray" | 13 | | bgcolor="lightgray" | 13 | ||
| bgcolor="lightgray" | C | | bgcolor="lightgray" | C♯͵͵/D♭͵͵ | ||
| bgcolor="lightgray" | C | | bgcolor="lightgray" | C♯<sub>0</sub>/D♭<sub>0</sub> | ||
| bgcolor="lightgray" | -7 | | bgcolor="lightgray" | -7 | ||
| bgcolor="lightgray" | 17.32391 | | bgcolor="lightgray" | 17.32391 | ||
Line 1,490: | Line 1,569: | ||
= Where to buy = | |||
* 扬州市, 中國 에 몇몇 유명한 고금 수공 장소가 있다. 프로급 고금은 $ 1,500 정도에서 시작 (2024년 기준). | |||
= Links = | = Links = | ||
* [https://www.youtube.com/watch?v=8i1l8emZpo0 tutorial on notation reading] | |||
* [http://www.silkqin.com/ John Thompson's site on Guqin] | * [http://www.silkqin.com/ John Thompson's site on Guqin] | ||
* [https://starvoid.proboards.com/board/5/guqin Zhengyun Qin Guan : Traditional Chinese Music Forum] | |||
* [https://torguqin.wordpress.com/ Toronto Guqin Society] | |||
* [https://www.youtube.com/@jts1702a Juni L. Yeung's YouTube channel] | |||
* [https://web.cecs.pdx.edu/~jrb/chin/ Jim R. Binkley's chin page] | |||
* [https://m.zgmzyq.cn/zh/sheet-music/star-river-sigh-guqin-score.html scores] | |||
* Masters | |||
** [https://www.guoqinwang.com/guqinjia/ List] | |||
** [http://www.wuziying.com/ Ziying Wu] |