Guqin: Difference between revisions

From Han Wiki
Jump to navigation Jump to search
→‎Guqin (古琴, 고금): [http://www.silkqin.com/ John Thompson's site on Guqin]
No edit summary
Tags: Mobile edit Mobile web edit
 
(46 intermediate revisions by the same user not shown)
Line 1: Line 1:
= Guqin (古琴, 고금) =
Guqin (古琴, 고금)
 
= Terms =
 
; jianzipu (減字譜, 감자보)
: Guqin notation form
 
= Innovations =
 
* [https://guqin.nyl.io/library.html?ref=blog.nyl.io NYL's Guqin library]
* [https://blog.nyl.io/guqin-part-3-tablature-old-and-new/ Use of NLTabs]
 
= Songs =
 
* [https://youtu.be/BXK-W6yyn7Q?si=zlczpKgf-r_WYWal List of easy to hard by Zachary Lee]
# 沧海一声笑
# 秋风辞
# 凤求凰
# 酒狂
# 关山月
# 鸥鹭忘机
# 忆故人
# 流水
# 梅花三弄
# 潇湘水云
 
 
= Well-known Players =
* Tsar Teh-yun (蔡德允 채덕윤, 1905-2007) @ HK<br/>Disciple of Shen Caonong
** Lau Chor-wah (劉楚華 유초화, 1951-) @ HK
** Sou Si-tai
** Tsu Chun-yan
 
= Available Videos =


{| class="wikitable sortable" border="1" style="border-collapse:collapse"
{| class="wikitable sortable" border="1" style="border-collapse:collapse"
Line 9: Line 42:
! 演奏者
! 演奏者
! 參照
! 參照
! 註
|-
|-
| 宋代
| 宋代
Line 14: Line 48:
| 장정원만
| 장정원만
| Lament of Departure
| Lament of Departure
| Jiang Kui (姜夔, 강기) 1155 - 1221
| Jiang Kui (姜夔, 강기) 1155 AD - 1221 AD
| Yuan Jung Ping (袁中平, 원중평) of Chung Hua Guqin Society (中華古琴協會)
| Yuan Jung Ping (袁中平, 원중평) of Chung Hua Guqin Society (中華古琴協會)
| {{#evt:service=youtube|id=https://youtu.be/RjPmTTCQvbM|dimensions=160}}
| {{#evt:service=youtube|id=https://youtu.be/RjPmTTCQvbM|dimensions=160}}
|
|-
|-
| 周代
| 周代
| 楚歌
| 楚歌 (aka 垓下歌)
| 초가
| 초가 (해하가)
| Song of Chu
| Song of Chu (aka Song of Gaixia)
| Jiang Kui (姜夔, 강기) 1155 - 1221
| Xiang Ji (項籍, 항적) 232 BC - 202 BC
| Yuan Jung Ping (袁中平, 원중평) of Chung Hua Guqin Society (中華古琴協會)
| {{#evt:service=youtube|id=https://youtu.be/6sVIV2BkXSE|dimensions=160}}
|
|-
| 唐代
| 陽關三疊
| 양관삼첩
| Yang Kuan Pass (aka Three Variations on Yang Pass)
| Wang Wei (王維, 왕유) circa 700 AD - 761 AD
| Yuan Jung Ping (袁中平, 원중평) of Chung Hua Guqin Society (中華古琴協會)
| Yuan Jung Ping (袁中平, 원중평) of Chung Hua Guqin Society (中華古琴協會)
| {{#evt:service=youtube|id=https://youtu.be/RjPmTTCQvbM|dimensions=160}}
| {{#evt:service=youtube|id=https://youtu.be/nHNdgfoxvvo|dimensions=160}}
|
|-
| 明代, 1585
| 操縵引
| 조만(인)
| Caoman Yin
| Zhu Quan (朱權, 주권) 1378 AD - 1448 AD
| John Thompson
| {{#evt:service=youtube|id=https://youtu.be/giPoXXx3VdI?si=x9giEfHQoutQU-UP|dimensions=160}}
|
|}
 
 
= Videos =
 
* [https://youtu.be/EwDVQMtaoso?si=Cm3GVczb0O47E7Vc Song of Secluded Orchid 幽蘭操 music fr. ballet “Confucius” by Zhang Qu arranged for qin by Shuishan Yu]
* [https://youtu.be/D_MyGCM9fho?si=3tUwUW1E5PU6zHhS 『琴道』台北琴道舘。 "Qin Dao" Taipei Qin Hall.]
* [https://youtu.be/taMETSe3rZE?si=7wrdBrpxM4qh8Du8 「古音重現」。唐琴「冰磬」與其複製琴「玄鍾」之比較。 Echoes Through Time. A Thousand-Year Legacy Guqin and Its Modern Replica.]
* [https://youtu.be/h0AAFhx3RmA?si=75ybkH0Ay7Bsami7 Unsullied - the theme song of Ashes of Love]
* [https://youtu.be/IV4rkOdELrs?si=Zrh4T3hNzVfIVUvZ Guang-Ling San / Guqin: KONG Ziwen]
 
* 星河嘆
** [https://www.bilibili.com/video/BV1Lg4y1E7UF/ 【南一】《星河叹》纯古琴版 | 我叹人生苦短,荒唐事不休]
 
* 出水蓮
** [https://youtu.be/tHJfJ6HbMxg?si=pHbaK3GraEFGYqIQ 古琴|【蓮】|Lotus Out The Water Guqin|Chinese Classical music|Hsiao Yi Ting Guqin Studio]
 
* 神人暢
** [https://youtu.be/dYDGsWmW3kI?si=2c7xGuiCEgwnEvjl 丁承運先生古琴曲演奏《神人暢》The《 A Conversation Between God and Man》of Chinese Guqin Master Ding Chengyun]
 
* 不染
** [https://youtu.be/h0AAFhx3RmA?si=Ev0QmgwoyBG1SEhN 《不染》---古琴獨奏述深情《香蜜沉沉燼如霜》主題曲]
 
* 流水
** [https://youtu.be/MGteDdXLYuw?si=ff8o_iff6Y0o6A7c Flowing Water-CHEN Leiji & China NCPA Orchestra]
** [https://youtu.be/-IJ7h0HknDg?si=xe2MhRWrZhm4hjLj Guqin solo "Flowing Water" performed by Li Fengyun 古琴独奏《流水》- 李凤云]
** [https://youtu.be/BcElotwrZ8o?si=hBxqp6y0H_9FlgRd Chinese Guqin : Flowing water Guqin 流水 古琴曲 by 楚童古琴]
** [https://youtu.be/0nuvbtl0jP4?si=MHlaBvKbqSg4vxAO 【古琴Guqin】《流水》Flowing Water by Zi De guqin Studio]
** [https://youtu.be/caXl_GpRhIM?si=e25X33jyJ3rl592N 【Guqin】A famous traditional Chinese song which is even known from outer space “Flowing Water” by Zi De guqin Studio]
** [https://youtu.be/s1pCTYSCsas?si=QZEkarGKI2SgY4f1 流水|古琴:孔子文]
* Performances
** [https://youtu.be/35ZKN-H7at4?si=4Y_NGY52sx6l7cZM Guqin Master Chen Leiji]
 
* 忆故人
** [https://youtu.be/6Bbw7SmUgA8?si=0YzH5tS4UEb2XaEJ Memories of an Old Friend]
** [https://youtu.be/9YZMjSRHj1s?si=1_X1zspAk-2WJfjP 古琴 《忆故人》 Guqin Traditional Music- Memories of an old friend]
** [https://youtu.be/0KQoE7I3D4A?si=8KPMnXhSFp6mOAjD 忆故人 Reminiscing about an Old Friend - 林友仁 Lin Youren | Scrolling Qin Score]
** [https://youtu.be/9L1-KUtm8CE?si=eLMJ74NQZ6Q-fpB- Memories of Old Friends by world leading guqin master Li Xiangting, Yi Guren忆故人,李祥霆大师古琴]
 
* Played in Korea by Chae Hui-bae (채희배)
** https://youtu.be/hEO6QIEzHnA?si=5YT5rowVQbYVZZim
** https://youtu.be/9ldxv50Yax8?si=txfOsO8yB2cWhrUG
* Educational
** [https://youtu.be/vgjnrePFThY 古琴 真朴书院琴学入门篇第15课——仙翁操上高清版 超清]
** [https://youtu.be/Qi_gtHs6h7M?si=jglbNI6tVWutnRRq 古琴 真朴书院琴学入门篇第16课——仙翁操下高清版 超清]
** https://youtu.be/QPYLXO5J_6c?si=JE4ShggzQpHmqCml
** [https://youtu.be/Oiyxf50K_8M?si=_4aNxwrSV6NcXD4N 【古琴教学】《流水》第一段,中央音乐学院高级古琴师资考试示范教学]
** [https://youtu.be/sbLO6uBMwwc?si=plJWfcg23xWiynOl Visualizing Sound: A Lecture and Demonstration on the Notation System and Music of the Chinese Qin]
 
= Chongxiu Zhenchuan Qinpu (重修真傳琴譜, 중수진전금보) =
 
(Warning: This is a direct copy/paste from a Google Bard's description of 重修真傳琴譜 as of 2024-02-06)
 
명나라 시대에 쓰여진 고금(古琴)의 대표적인 악보입니다. "진전금보(真傳琴譜)"라는 원본을 바탕으로 명나라 만력(萬曆) 38년(1610년)에 간행되었으며, 당시 명나라의 뛰어난 거문고 연주자이자 작곡가였던 **주권(朱權)**이 편찬했습니다.
 
중수진전금보는 총 7권으로 구성되어 있으며, 주요 내용은 다음과 같습니다.
 
* 고금(古琴)의 역사와 전통
* 고금(古琴)의 구조와 부품
* 고금(古琴)의 연주 기법
* 고금(古琴)의 악보
* 고금(古琴)의 명곡
 
 
= A=405 Hz =
 
http://www.silkqin.com/08anal/tuning.htm#harmpitch
 
= Comparison of frequencies =
 
{| class="wikitable sortable" style="text-align:center;"
! rowspan="2" width="30px"  |Piano key number
! rowspan="2" width="30px"  |MIDI note number
! rowspan="2" width="150px" |[[Helmholtz pitch notation|Helmholtz]] name<ref name=":2">{{Cite web|url=http://www.flutopedia.com/octave_notation.htm|title=Octave Notation|last=Goss|first=Clint|date=2019-02-18|website=Flutopedia|url-status=live|archive-url=https://web.archive.org/web/20190512205909/http://flutopedia.com/octave_notation.htm|archive-date=2019-05-12|access-date=2019-12-26}}</ref>
! rowspan="2" width="140px" |[[Scientific pitch notation|Scientific pitch]] name<ref name=":2" />
! rowspan="2" width="20px"  |{{mvar|n}}
! rowspan="2" width="138px" |Frequency {{mvar|f}}({{mvar|n}}) ([[Hertz|Hz]]) (Equal temperament) <ref>{{Cite web|url=https://pages.mtu.edu/~suits/notefreqs.html|title=Frequencies of Musical Notes, A4 = 440 Hz|last=Suits|first=Bryan|year=1998|website=Physics of Music — Notes|publisher=[[Michigan Tech University]]|url-status=live|archive-url=https://web.archive.org/web/20191216163453/https://pages.mtu.edu/~suits/notefreqs.html|archive-date=2019-12-16|access-date=2019-12-26}}</ref>
! colspan="7" | Corresponding open strings on other instruments
|--
!width="5%" | [[Guqin#Tuning|Guqin (A4 = 405 Hz)]]
!width="5%" | [[Violin#Tuning|Violin]]
!width="6%" | [[Viola#Tuning|Viola]]
!width="7%" | [[Cello#Strings|Cello]]
!width="7%" | [[Double bass#Tuning|Bass]]
!width="9%" | [[Guitar tunings|Guitar]]
!width="5%" | [[Ukulele#Tuning|Ukulele]]
<!--PLEASE DO NOT "CORRECT" THE KEY NUMBERS; KEYS 89 THROUGH 97 ARE AT THE BOTTOM-->
|-| bgcolor="lightgray" |
||108
|119
| b′′′′′ || B<sub>8</sub>||99|| 7902.133 ||
|
|
|
|
|
|--
|bgcolor="darkslategray" style="color:white"|107
| bgcolor="lightgray" | 118
| bgcolor="lightgray" | a&sharp;′′′′′/b&#9837;′′′′′
| bgcolor="lightgray" | A&sharp;<sub>8</sub>/B&#9837;<sub>8</sub>
| bgcolor="lightgray" | 98
| bgcolor="lightgray" | 7458.620
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
|--
|bgcolor="lightgray"|106
| bgcolor="lightgray" | 117
| bgcolor="lightgray" | a′′′′′
| bgcolor="lightgray" | A<sub>8</sub>
| bgcolor="lightgray" | 97
| bgcolor="lightgray" |'''7040.000'''
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
|-
|bgcolor="darkslategray" style="color:white"|105
| bgcolor="lightgray" | 116
| bgcolor="lightgray" | g&sharp;′′′′′/a&#9837;′′′′′
| bgcolor="lightgray" | G&sharp;<sub>8</sub>/A&#9837;<sub>8</sub>
| bgcolor="lightgray" | 96
| bgcolor="lightgray" |6644.875
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
|-
|bgcolor="lightgray"|104
| bgcolor="lightgray" | 115
| bgcolor="lightgray" | g′′′′′
| bgcolor="lightgray" | G<sub>8</sub>
| bgcolor="lightgray" | 95
| bgcolor="lightgray" |6271.927
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
|-
|bgcolor="darkslategray" style="color:white"|103
| bgcolor="lightgray" | 114
| bgcolor="lightgray" | f&sharp;′′′′′/g&#9837;′′′′′
| bgcolor="lightgray" | F&sharp;<sub>8</sub>/G&#9837;<sub>8</sub>
| bgcolor="lightgray" | 94
| bgcolor="lightgray" | 5919.911
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
|-
| bgcolor="lightgray" | 102
| bgcolor="lightgray" | 113
| bgcolor="lightgray" | f′′′′′
| bgcolor="lightgray" | F<sub>8</sub>
| bgcolor="lightgray" | 93
| bgcolor="lightgray" | 5587.652
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
|-
| bgcolor="lightgray" | 101
| bgcolor="lightgray" | 112
| bgcolor="lightgray" | e′′′′′
| bgcolor="lightgray" | E<sub>8</sub>
| bgcolor="lightgray" | 92
| bgcolor="lightgray" | 5274.041
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
|-
| bgcolor="darkslategray" style="color:white" | 100
| bgcolor="lightgray" | 111
| bgcolor="lightgray" | d&sharp;′′′′′/e&#9837;′′′′′
| bgcolor="lightgray" | D&sharp;<sub>8</sub>/E&#9837;<sub>8</sub>
| bgcolor="lightgray" | 91
| bgcolor="lightgray" | 4978.032
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
|-
| bgcolor="lightgray" | 99
| bgcolor="lightgray" | 110
| bgcolor="lightgray" | d′′′′′
| bgcolor="lightgray" | D<sub>8</sub>
| bgcolor="lightgray" | 90
| bgcolor="lightgray" | 4698.636
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
|-
| bgcolor="darkslategray" style="color:white" | 98
| bgcolor="lightgray" | 109
| bgcolor="lightgray" | c&sharp;′′′′′/d&#9837;′′′′′
| bgcolor="lightgray" | C&sharp;<sub>8</sub>/D&#9837;<sub>8</sub>
| bgcolor="lightgray" | 89
| bgcolor="lightgray" | 4434.922
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
|-
| bgcolor="white" style="color:black" | 88
|108
|c′′′′′ 5-line [[octave]]
|[[Eighth octave C|C<sub>8</sub>]] Eighth octave
|88
|4186.009
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  87
|107
|b′′′′
|B<sub>7</sub>
|87
|3951.066
|
|
|
|
|
|
|-
| bgcolor="black" style="color:white" |  86
|106
|a&sharp;′′′′/b&#9837;′′′′
|A&sharp;<sub>7</sub>/B&#9837;<sub>7</sub>
|86
|3729.310
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  85
|105
|a′′′′
|A<sub>7</sub>
|85
|'''3520.000'''
|
|
|
|
|
|
|-
| bgcolor="black" style="color:white" |  84
|104
|g&sharp;′′′′/a&#9837;′′′′
|G&sharp;<sub>7</sub>/A&#9837;<sub>7</sub>
|84
|3322.438
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  83
|103
|g′′′′
|G<sub>7</sub>
|83
|3135.963
|
|
|
|
|
|
|-
| bgcolor="black" style="color:white" |  82
|102
|f&sharp;′′′′/g&#9837;′′′′
|F&sharp;<sub>7</sub>/G&#9837;<sub>7</sub>
|82
|2959.955
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  81
|101
|f′′′′
|F<sub>7</sub>
|81
|2793.826
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  80
|100
|e′′′′
|E<sub>7</sub>
|80
|2637.020
|
|
|
|
|
|
|-
| bgcolor="black" style="color:white" |  79
|99
|d&sharp;′′′′/e&#9837;′′′′
|D&sharp;<sub>7</sub>/E&#9837;<sub>7</sub>
|79
|2489.016
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  78
|98
|d′′′′
|D<sub>7</sub>
|78
|2349.318
|
|
|
|
|
|
|-
| bgcolor="black" style="color:white" |  77
|97
|c&sharp;′′′′/d&#9837;′′′′
|C&sharp;<sub>7</sub>/D&#9837;<sub>7</sub>
|77
|2217.461
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  76
|96
|c′′′′ 4-line [[octave]]
|C<sub>7</sub> [[Double high C]]
|76
|2093.005
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" | 75
|95
|b′′′
|B<sub>6</sub>
|75
|1975.533
|
|
|
|
|
|
|-
| bgcolor="black" style="color:white" |  74
|94
|a&sharp;′′′/b&#9837;′′′
|A&sharp;<sub>6</sub>/B&#9837;<sub>6</sub>
|74
|1864.655
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  73
|93
|a′′′
|A<sub>6</sub>
|73
|'''1760.000'''
|
|
|
|
|
|
|-
| bgcolor="black" style="color:white" |  72
|92
|g&sharp;′′′/a&#9837;′′′
|G&sharp;<sub>6</sub>/A&#9837;<sub>6</sub>
|72
|1661.219
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  71
|91
|g′′′
|G<sub>6</sub>
|71
|1567.982
|
|
|
|
|
|
|-
| bgcolor="black" style="color:white" |  70
|90
|f&sharp;′′′/g&#9837;′′′
|F&sharp;<sub>6</sub>/G&#9837;<sub>6</sub>
|70
|1479.978
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  69
|89
|f′′′
|F<sub>6</sub>
|69
|1396.913
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  68
|88
|e′′′
|E<sub>6</sub>
|68
|1318.510
|
|
|
|
|
|
|-
| bgcolor="black" style="color:white" |  67
|87
|d&sharp;′′′/e&#9837;′′′
|D&sharp;<sub>6</sub>/E&#9837;<sub>6</sub>
|67
|1244.508
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  66
|86
|d′′′
|D<sub>6</sub>
|66
|1174.659
|
|
|
|
|
|
|-
| bgcolor="black" style="color:white" |  65
|85
|c&sharp;′′′/d&#9837;′′′
|C&sharp;<sub>6</sub>/D&#9837;<sub>6</sub>
|65
|1108.731
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  64
|84
|c′′′ 3-line [[octave]]
|C<sub>6</sub> [[Soprano C]] (High C)
|64
|1046.502
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  63
|83
|b′′
|B<sub>5</sub>
|63
|987.7666
|
|
|
|
|
|
|-
| bgcolor="black" style="color:white" |  62
|82
|a&sharp;′′/b&#9837;′′
|A&sharp;<sub>5</sub>/B&#9837;<sub>5</sub>
|62
|932.3275
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  61
|81
|a′′
|A<sub>5</sub>
|61
|'''880.0000'''
|
|
|
|
|
|
|-
| bgcolor="black" style="color:white" |  60
|80
|g&sharp;′′/a&#9837;′′
|G&sharp;<sub>5</sub>/A&#9837;<sub>5</sub>
|60
|830.6094
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  59
|79
|g′′
|G<sub>5</sub>
|59
|783.9909
|
|
|
|
|
|
|-
| bgcolor="black" style="color:white" |  58
|78
|f&sharp;′′/g&#9837;′′
|F&sharp;<sub>5</sub>/G&#9837;<sub>5</sub>
|58
|739.9888
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  57
|77
|f′′
|F<sub>5</sub>
|57
|698.4565
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  56
|76
|e′′
|E<sub>5</sub>
|56
|659.2551
|E
|E (5 String Viola)
|
|
|
|
|-
| bgcolor="black" style="color:white" |  55
|75
|d&sharp;′′/e&#9837;′′
|D&sharp;<sub>5</sub>/E&#9837;<sub>5</sub>
|55
|622.2540
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  54
|74
|d′′
|D<sub>5</sub>
|54
|587.3295
|
|
|
|
|
|
|-
| bgcolor="black" style="color:white" |  53
|73
|c&sharp;′′/d&#9837;′′
|C&sharp;<sub>5</sub>/D&#9837;<sub>5</sub>
|53
|554.3653
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  52
|72
|c′′ 2-line [[octave]]
|C<sub>5</sub> [[Tenor C]]
|52
|523.2511
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  51
|71
|b′
|B<sub>4</sub>
|51
|493.8833
|
|
|
|
| High B (Optional for 12 String Guitar)
|
|-
| bgcolor="black" style="color:white" |  50
|70
|a&sharp;′/b&#9837;′
|A&sharp;<sub>4</sub>/B&#9837;<sub>4</sub>
|50
|466.1638
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black"  |  49
|69
|a′
| bgcolor="yellow" style="color:black" |A<sub>4</sub> [[A440 (pitch standard) | A440]]
| bgcolor="yellow" style="color:black" |49
| bgcolor="yellow" style="color:black" |'''440.0000'''
|A
|A
|
|
| High A (Optional)
| A
|-
| bgcolor="black" style="color:white" |  48
|68
|g&sharp;′/a&#9837;′
|G&sharp;<sub>4</sub>/A&#9837;<sub>4</sub>
|48
|415.3047
|
|
|
| High Ab (12 Single String Bass)
|
|
|-
| bgcolor="white" style="color:black" |  47
|67
|g′
|G<sub>4</sub>
|47
|391.9954
|
|
|
|
|
| High G
|-
| bgcolor="black" style="color:white" |  46
|66
|f&sharp;′/g&#9837;′
|F&sharp;<sub>4</sub>/G&#9837;<sub>4</sub>
|46
|369.9944
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  45
|65
|f′
|F<sub>4</sub>
|45
|349.2282
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  44
|64
|e′
|E<sub>4</sub>
|44
|329.6276
|
|
|High E (5 String Cello)
|
|High E
|E
|-
| bgcolor="black" style="color:white" |  43
|63
|d&sharp;′/e&#9837;′
|D&sharp;<sub>4</sub>/E&#9837;<sub>4</sub>
|43
|311.1270
|
|
|
| High Eb (12 String Single String Bass)
|
|
|-
| bgcolor="white" style="color:black" |  42
|62
|d′
|D<sub>4</sub>
|42
|293.6648
|D
|D
|
|
|
|
|-
| bgcolor="black" style="color:white" |  41
|61
|c&sharp;′/d&#9837;′
|C&sharp;<sub>4</sub>/D&#9837;<sub>4</sub>
|41
|277.1826
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  40
|60
|c′ 1-line [[octave]]
| bgcolor="skyblue" style="color:black" |C<sub>4</sub> [[C (musical note)#Middle C|Middle C]]
| bgcolor="skyblue" |40
| bgcolor="skyblue" |261.6256
|
|
|
|
|
| C
|-
| bgcolor="white" style="color:black" |  39
|59
|b
|B<sub>3</sub>
|39
|246.9417
|
|
|
|
|B
|
|-
| bgcolor="black" style="color:white" |  38
|58
|a&sharp;/b&#9837;
|A&sharp;<sub>3</sub>/B&#9837;<sub>3</sub>
|38
|233.0819
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  37
|57
|a
|A<sub>3</sub>
|37
|'''220.0000'''
|
|
|A
|
|
|
|-
| bgcolor="black" style="color:white" |  36
|56
|g&sharp;/a&#9837;
|G&sharp;<sub>3</sub>/A&#9837;<sub>3</sub>
|36
|207.6523
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  35
|55
|g
|G<sub>3</sub>
|35
|195.9977
|G
|G
|
|
|G
| Low G
|-
| bgcolor="black" style="color:white" |  34
|54
|f&sharp;/g&#9837;
|F&sharp;<sub>3</sub>/G&#9837;<sub>3</sub>
|34
|184.9972
|
|
|
| High F (7 String)
|
|
|-
| bgcolor="white" style="color:black" |  33
|53
|f
|F<sub>3</sub>
|33
|174.6141
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  32
|52
|e
|E<sub>3</sub>
|32
|164.8138
|
|
|
|
|
|
|-
| bgcolor="black" style="color:white" |  31
|51
|d&sharp;/e&#9837;
|D&sharp;<sub>3</sub>/E&#9837;<sub>3</sub>
|31
|155.5635
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  30
|50
|d
|D<sub>3</sub>
|30
|146.8324
|
|
|D
|
|D
|
|-
| bgcolor="black" style="color:white" |  29
|49
|c&sharp;/d&#9837;
|C&sharp;<sub>3</sub>/D&#9837;<sub>3</sub>
|29
|138.5913
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  28
|48
|c small [[octave]]
|C<sub>3</sub>
|28
|130.8128
|C (5 String)
|C
|
|C (6 string)
|
|
|-
| bgcolor="white" style="color:black" |  27
|47
|B
|B<sub>2</sub>
|27
|123.4708
|
|
|
|
|
|
|-
| bgcolor="black" style="color:white" |  26
|46
|A&sharp;/B&#9837;
|A&sharp;<sub>2</sub>/B&#9837;<sub>2</sub>
|26
|116.5409
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  25
|45
|A
|A<sub>2</sub>
|25
|'''110.0000'''
|
|
|
|
|A
|
|-
| bgcolor="black" style="color:white" |  24
|44
|G&sharp;/A&#9837;
|G&sharp;<sub>2</sub>/A&#9837;<sub>2</sub>
|24
|103.8262
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  23
|43
|G
|G<sub>2</sub>
|23
|97.99886
|
|
|G
|G
|
|
|-
| bgcolor="black" style="color:white" |  22
|42
|F&sharp;/G&#9837;
|F&sharp;<sub>2</sub>/G&#9837;<sub>2</sub>
|22
|92.49861
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  21
|41
|F
|F<sub>2</sub>
|21
|87.30706
| F (6 String)
| F (6 String)
|
|
|
|
|-
| bgcolor="white" style="color:black" |  20
|40
|E
|E<sub>2</sub>
|20
|82.40689
|
|
|
|
|Low E
|
|-
| bgcolor="black" style="color:white" |  19
|39
|D&sharp;/E&#9837;
|D&sharp;<sub>2</sub>/E&#9837;<sub>2</sub>
|19
|77.78175
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  18
|38
|D
|D<sub>2</sub>
|18
|73.41619
|
|
|
|D
|
|
|-
| bgcolor="black" style="color:white" |  17
|37
|C&sharp;/D&#9837;
|C&sharp;<sub>2</sub>/D&#9837;<sub>2</sub>
|17
|69.29566
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  16
|36
|C great [[octave]]
|C<sub>2</sub> [[Deep C]]
|16
|65.40639
|
|
|C
|
|
|
|-
| bgcolor="white" style="color:black" |  15
|35
|B͵
|B<sub>1</sub>
|15
|61.73541
|
|
|
|
|Low B (7 string)
|
|-
| bgcolor="black" style="color:white" |  14
|34
|A&sharp;͵/B&#9837;͵
|A&sharp;<sub>1</sub>/B&#9837;<sub>1</sub>
|14
|58.27047
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  13
|33
|A͵
|A<sub>1</sub>
|13
|'''55.00000'''
|
|
|
|A
|
|
|-
| bgcolor="black" style="color:white" |  12
|32
|G&sharp;͵/A&#9837;͵
|G&sharp;<sub>1</sub>/A&#9837;<sub>1</sub>
|12
|51.91309
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  11
|31
|G͵
|G<sub>1</sub>
|11
|48.99943
|
|
|
|
|
|
|-
| bgcolor="black" style="color:white" |  10
|30
|F&sharp;͵/G&#9837;͵
|F&sharp;<sub>1</sub>/G&#9837;<sub>1</sub>
|10
|46.24930
|
|
|
|
|Low F&sharp; (8 string)
|
|-
| bgcolor="white" style="color:black" |  9
|29
|F͵
|F<sub>1</sub>
|9
|43.65353
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  8
|28
|E͵
|E<sub>1</sub>
|8
|41.20344
|
|
|
|E
|
|
|-
| bgcolor="black" style="color:white" |  7
|27
|D&sharp;͵/E&#9837;͵
|D&sharp;<sub>1</sub>/E&#9837;<sub>1</sub>
|7
|38.89087
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  6
|26
|D͵
|D<sub>1</sub>
|6
|36.70810
|
|
|
|
|
|
|-
| bgcolor="black" style="color:white" |  5
|25
|C&sharp;͵/D&#9837;͵
|C&sharp;<sub>1</sub>/D&#9837;<sub>1</sub>
|5
|34.64783
|
|
|
|
| Low C#(9 String)
|
|-
| bgcolor="white" style="color:black" |  4
|24
|C͵ contra-[[octave]]
|C<sub>1</sub> Pedal C
|4
|32.70320
|
|
|
|C (Upright Extension)
|
|
|-
| bgcolor="white" style="color:black" |  3
|23
|B͵͵
|B<sub>0</sub>
|3
|30.86771
|
|
|
|B (5 string)
|
|
|-
| bgcolor="black" style="color:white" |  2
|22
|A&sharp;͵͵/B&#9837;͵͵
|A&sharp;<sub>0</sub>/B&#9837;<sub>0</sub>
|2
|29.13524
|
|
|
|
|
|
|-
| bgcolor="white" style="color:black" |  1
|21
|A͵͵
|A<sub>0</sub>
|1
|'''27.50000'''
|
|
|
|
|
|
|-
| bgcolor="darkslategray" style="color:white" | 97
| bgcolor="lightgray" | 20
| bgcolor="lightgray" | G&sharp;͵͵/A&#9837;͵͵
| bgcolor="lightgray" | G&sharp;<sub>0</sub>/A&#9837;<sub>0</sub>
| bgcolor="lightgray" |0
| bgcolor="lightgray" | 25.95654
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" | Low G# (10 String)
| bgcolor="lightgray" |
|-
| bgcolor="lightgray" | 96
| bgcolor="lightgray" | 19
| bgcolor="lightgray" | G͵͵
| bgcolor="lightgray" | G<sub>0</sub>
| bgcolor="lightgray" | -1
| bgcolor="lightgray" | 24.49971
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
|-
| bgcolor="darkslategray" style="color:white" | 95
| bgcolor="lightgray" | 18
| bgcolor="lightgray" | F&sharp;͵͵/G&#9837;͵͵
| bgcolor="lightgray" | F&sharp;<sub>0</sub>/G&#9837;<sub>0</sub>
| bgcolor="lightgray" | -2
| bgcolor="lightgray" | 23.12465
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
|-
| bgcolor="lightgray" | 94
| bgcolor="lightgray" | 17
| bgcolor="lightgray" | F͵͵
| bgcolor="lightgray" | F<sub>0</sub>
| bgcolor="lightgray" | -3
| bgcolor="lightgray" | 21.82676
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
|-
| bgcolor="lightgray" | 93
| bgcolor="lightgray" | 16
| bgcolor="lightgray" | E͵͵
| bgcolor="lightgray" | E<sub>0</sub>
| bgcolor="lightgray" | -4
| bgcolor="lightgray" | 20.60172
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
|-
| bgcolor="darkslategray" style="color:white" | 92
| bgcolor="lightgray" | 15
| bgcolor="lightgray" | D&sharp;͵͵/E&#9837;͵͵
| bgcolor="lightgray" | D&sharp;<sub>0</sub>/E&#9837;<sub>0</sub>
| bgcolor="lightgray" | -5
| bgcolor="lightgray" | 19.44544
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
|-
| bgcolor="lightgray" | 91
| bgcolor="lightgray" | 14
| bgcolor="lightgray" | D͵͵
| bgcolor="lightgray" | D<sub>0</sub>
| bgcolor="lightgray" | -6
| bgcolor="lightgray" | 18.35405
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
|-
| bgcolor="darkslategray" style="color:white" | 90
| bgcolor="lightgray" | 13
| bgcolor="lightgray" | C&sharp;͵͵/D&#9837;͵͵
| bgcolor="lightgray" | C&sharp;<sub>0</sub>/D&#9837;<sub>0</sub>
| bgcolor="lightgray" | -7
| bgcolor="lightgray" | 17.32391
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
|-
| bgcolor="lightgray" | 89
| bgcolor="lightgray" | 12
| bgcolor="lightgray" | C͵͵ sub-contra-[[octave]]
| bgcolor="lightgray" | C<sub>0</sub> Double Pedal C
| bgcolor="lightgray" | -8
| bgcolor="lightgray" | 16.35160
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
| bgcolor="lightgray" |
|}
|}
= Where to buy =
* 扬州市, 中國 에 몇몇 유명한 고금 수공 장소가 있다. 프로급 고금은 $ 1,500 정도에서 시작 (2024년 기준).


= Links =
= Links =


* [https://www.youtube.com/watch?v=8i1l8emZpo0 tutorial on notation reading]
* [http://www.silkqin.com/ John Thompson's site on Guqin]
* [http://www.silkqin.com/ John Thompson's site on Guqin]
* [https://starvoid.proboards.com/board/5/guqin Zhengyun Qin Guan : Traditional Chinese Music Forum]
* [https://torguqin.wordpress.com/ Toronto Guqin Society]
* [https://www.youtube.com/@jts1702a Juni L. Yeung's YouTube channel]
* [https://web.cecs.pdx.edu/~jrb/chin/ Jim R. Binkley's chin page]
* [https://m.zgmzyq.cn/zh/sheet-music/star-river-sigh-guqin-score.html scores]
* Masters
** [https://www.guoqinwang.com/guqinjia/ List]
** [http://www.wuziying.com/ Ziying Wu]

Latest revision as of 09:49, 28 March 2024

Guqin (古琴, 고금)

Terms

jianzipu (減字譜, 감자보)
Guqin notation form

Innovations

Songs

  1. 沧海一声笑
  2. 秋风辞
  3. 凤求凰
  4. 酒狂
  5. 关山月
  6. 鸥鹭忘机
  7. 忆故人
  8. 流水
  9. 梅花三弄
  10. 潇湘水云


Well-known Players

  • Tsar Teh-yun (蔡德允 채덕윤, 1905-2007) @ HK
    Disciple of Shen Caonong
    • Lau Chor-wah (劉楚華 유초화, 1951-) @ HK
    • Sou Si-tai
    • Tsu Chun-yan

Available Videos

時代 原名 韓文名 英名 作者 演奏者 參照
宋代 長亭怨慢 장정원만 Lament of Departure Jiang Kui (姜夔, 강기) 1155 AD - 1221 AD Yuan Jung Ping (袁中平, 원중평) of Chung Hua Guqin Society (中華古琴協會)
周代 楚歌 (aka 垓下歌) 초가 (해하가) Song of Chu (aka Song of Gaixia) Xiang Ji (項籍, 항적) 232 BC - 202 BC Yuan Jung Ping (袁中平, 원중평) of Chung Hua Guqin Society (中華古琴協會)
唐代 陽關三疊 양관삼첩 Yang Kuan Pass (aka Three Variations on Yang Pass) Wang Wei (王維, 왕유) circa 700 AD - 761 AD Yuan Jung Ping (袁中平, 원중평) of Chung Hua Guqin Society (中華古琴協會)
明代, 1585 操縵引 조만(인) Caoman Yin Zhu Quan (朱權, 주권) 1378 AD - 1448 AD John Thompson


Videos

Chongxiu Zhenchuan Qinpu (重修真傳琴譜, 중수진전금보)

(Warning: This is a direct copy/paste from a Google Bard's description of 重修真傳琴譜 as of 2024-02-06)

명나라 시대에 쓰여진 고금(古琴)의 대표적인 악보입니다. "진전금보(真傳琴譜)"라는 원본을 바탕으로 명나라 만력(萬曆) 38년(1610년)에 간행되었으며, 당시 명나라의 뛰어난 거문고 연주자이자 작곡가였던 **주권(朱權)**이 편찬했습니다.

중수진전금보는 총 7권으로 구성되어 있으며, 주요 내용은 다음과 같습니다.

  • 고금(古琴)의 역사와 전통
  • 고금(古琴)의 구조와 부품
  • 고금(古琴)의 연주 기법
  • 고금(古琴)의 악보
  • 고금(古琴)의 명곡


A=405 Hz

http://www.silkqin.com/08anal/tuning.htm#harmpitch

Comparison of frequencies

Piano key number MIDI note number Helmholtz name[1] Scientific pitch name[1] Template:Mvar Frequency Template:Mvar(Template:Mvar) (Hz) (Equal temperament) [2] Corresponding open strings on other instruments
Guqin (A4 = 405 Hz) Violin Viola Cello Bass Guitar Ukulele
108 119 b′′′′′ B8 99 7902.133
107 118 a♯′′′′′/b♭′′′′′ A♯8/B♭8 98 7458.620
106 117 a′′′′′ A8 97 7040.000
105 116 g♯′′′′′/a♭′′′′′ G♯8/A♭8 96 6644.875
104 115 g′′′′′ G8 95 6271.927
103 114 f♯′′′′′/g♭′′′′′ F♯8/G♭8 94 5919.911
102 113 f′′′′′ F8 93 5587.652
101 112 e′′′′′ E8 92 5274.041
100 111 d♯′′′′′/e♭′′′′′ D♯8/E♭8 91 4978.032
99 110 d′′′′′ D8 90 4698.636
98 109 c♯′′′′′/d♭′′′′′ C♯8/D♭8 89 4434.922
88 108 c′′′′′ 5-line octave C8 Eighth octave 88 4186.009
87 107 b′′′′ B7 87 3951.066
86 106 a♯′′′′/b♭′′′′ A♯7/B♭7 86 3729.310
85 105 a′′′′ A7 85 3520.000
84 104 g♯′′′′/a♭′′′′ G♯7/A♭7 84 3322.438
83 103 g′′′′ G7 83 3135.963
82 102 f♯′′′′/g♭′′′′ F♯7/G♭7 82 2959.955
81 101 f′′′′ F7 81 2793.826
80 100 e′′′′ E7 80 2637.020
79 99 d♯′′′′/e♭′′′′ D♯7/E♭7 79 2489.016
78 98 d′′′′ D7 78 2349.318
77 97 c♯′′′′/d♭′′′′ C♯7/D♭7 77 2217.461
76 96 c′′′′ 4-line octave C7 Double high C 76 2093.005
75 95 b′′′ B6 75 1975.533
74 94 a♯′′′/b♭′′′ A♯6/B♭6 74 1864.655
73 93 a′′′ A6 73 1760.000
72 92 g♯′′′/a♭′′′ G♯6/A♭6 72 1661.219
71 91 g′′′ G6 71 1567.982
70 90 f♯′′′/g♭′′′ F♯6/G♭6 70 1479.978
69 89 f′′′ F6 69 1396.913
68 88 e′′′ E6 68 1318.510
67 87 d♯′′′/e♭′′′ D♯6/E♭6 67 1244.508
66 86 d′′′ D6 66 1174.659
65 85 c♯′′′/d♭′′′ C♯6/D♭6 65 1108.731
64 84 c′′′ 3-line octave C6 Soprano C (High C) 64 1046.502
63 83 b′′ B5 63 987.7666
62 82 a♯′′/b♭′′ A♯5/B♭5 62 932.3275
61 81 a′′ A5 61 880.0000
60 80 g♯′′/a♭′′ G♯5/A♭5 60 830.6094
59 79 g′′ G5 59 783.9909
58 78 f♯′′/g♭′′ F♯5/G♭5 58 739.9888
57 77 f′′ F5 57 698.4565
56 76 e′′ E5 56 659.2551 E E (5 String Viola)
55 75 d♯′′/e♭′′ D♯5/E♭5 55 622.2540
54 74 d′′ D5 54 587.3295
53 73 c♯′′/d♭′′ C♯5/D♭5 53 554.3653
52 72 c′′ 2-line octave C5 Tenor C 52 523.2511
51 71 b′ B4 51 493.8833 High B (Optional for 12 String Guitar)
50 70 a♯′/b♭′ A♯4/B♭4 50 466.1638
49 69 a′ A4 A440 49 440.0000 A A High A (Optional) A
48 68 g♯′/a♭′ G♯4/A♭4 48 415.3047 High Ab (12 Single String Bass)
47 67 g′ G4 47 391.9954 High G
46 66 f♯′/g♭′ F♯4/G♭4 46 369.9944
45 65 f′ F4 45 349.2282
44 64 e′ E4 44 329.6276 High E (5 String Cello) High E E
43 63 d♯′/e♭′ D♯4/E♭4 43 311.1270 High Eb (12 String Single String Bass)
42 62 d′ D4 42 293.6648 D D
41 61 c♯′/d♭′ C♯4/D♭4 41 277.1826
40 60 c′ 1-line octave C4 Middle C 40 261.6256 C
39 59 b B3 39 246.9417 B
38 58 a♯/b♭ A♯3/B♭3 38 233.0819
37 57 a A3 37 220.0000 A
36 56 g♯/a♭ G♯3/A♭3 36 207.6523
35 55 g G3 35 195.9977 G G G Low G
34 54 f♯/g♭ F♯3/G♭3 34 184.9972 High F (7 String)
33 53 f F3 33 174.6141
32 52 e E3 32 164.8138
31 51 d♯/e♭ D♯3/E♭3 31 155.5635
30 50 d D3 30 146.8324 D D
29 49 c♯/d♭ C♯3/D♭3 29 138.5913
28 48 c small octave C3 28 130.8128 C (5 String) C C (6 string)
27 47 B B2 27 123.4708
26 46 A♯/B♭ A♯2/B♭2 26 116.5409
25 45 A A2 25 110.0000 A
24 44 G♯/A♭ G♯2/A♭2 24 103.8262
23 43 G G2 23 97.99886 G G
22 42 F♯/G♭ F♯2/G♭2 22 92.49861
21 41 F F2 21 87.30706 F (6 String) F (6 String)
20 40 E E2 20 82.40689 Low E
19 39 D♯/E♭ D♯2/E♭2 19 77.78175
18 38 D D2 18 73.41619 D
17 37 C♯/D♭ C♯2/D♭2 17 69.29566
16 36 C great octave C2 Deep C 16 65.40639 C
15 35 B1 15 61.73541 Low B (7 string)
14 34 A♯͵/B♭͵ A♯1/B♭1 14 58.27047
13 33 A1 13 55.00000 A
12 32 G♯͵/A♭͵ G♯1/A♭1 12 51.91309
11 31 G1 11 48.99943
10 30 F♯͵/G♭͵ F♯1/G♭1 10 46.24930 Low F♯ (8 string)
9 29 F1 9 43.65353
8 28 E1 8 41.20344 E
7 27 D♯͵/E♭͵ D♯1/E♭1 7 38.89087
6 26 D1 6 36.70810
5 25 C♯͵/D♭͵ C♯1/D♭1 5 34.64783 Low C#(9 String)
4 24 C͵ contra-octave C1 Pedal C 4 32.70320 C (Upright Extension)
3 23 B͵͵ B0 3 30.86771 B (5 string)
2 22 A♯͵͵/B♭͵͵ A♯0/B♭0 2 29.13524
1 21 A͵͵ A0 1 27.50000
97 20 G♯͵͵/A♭͵͵ G♯0/A♭0 0 25.95654 Low G# (10 String)
96 19 G͵͵ G0 -1 24.49971
95 18 F♯͵͵/G♭͵͵ F♯0/G♭0 -2 23.12465
94 17 F͵͵ F0 -3 21.82676
93 16 E͵͵ E0 -4 20.60172
92 15 D♯͵͵/E♭͵͵ D♯0/E♭0 -5 19.44544
91 14 D͵͵ D0 -6 18.35405
90 13 C♯͵͵/D♭͵͵ C♯0/D♭0 -7 17.32391
89 12 C͵͵ sub-contra-octave C0 Double Pedal C -8 16.35160


Where to buy

  • 扬州市, 中國 에 몇몇 유명한 고금 수공 장소가 있다. 프로급 고금은 $ 1,500 정도에서 시작 (2024년 기준).

Links